GemsOnVhs: Behind The Camera
Grazing YouTube, you were once unlikely to find the channel (and now DIY label) GemsOnVHS unless you were specifically searching out its ‘field recordings’ of street-worthy Americana, folk punk, or roots music. And founder Anthony Simpkins liked it that way.
But now that those ‘Gems’ have been viewed nearly fifty-million times, Simkins finds himself in the wild west of a new kind of music industry, fighting for the integrity of song.
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FKJ’s Theories of Everything
Festival season in New Orleans means nosefuls of night-blooming jasmine, vomit on Bourbon Street, and the mud indistinguishable from horseshit at the fairgrounds racecourse. When the crowds leave Fest and Mid City, they hit the grids: color-coded cubes of aftershows,
Tonight, thousand-person capacity Republic NOLA has been sold out by one groove ambassador from the city of Tours in Western France. The line is already long. Loyalists have eschewed Frenchmen Street for the relative purgatory of the warehouse district and a genre noone can seem to define. Years ago Vincent Fenton, the man, conceived French Kiwi Juice (FKJ), the experience.
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Faces of New Orleans: A Photographic Series
New Orleans is a city brimming with artists. It has been a magnet for creative types for centuries, and today is no different. I had the opportunity to talk to some of the contributing minds of our thriving community, and find out where their passions came from, how they have struggled, and what unites their work in the end. Here are their snapshots
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Brother Oliver: The Oral History of an Accidental Psych-Folk Duo
In a crowded musical soundscape where the alternative and the mainstream have blurred, South Carolina’s Brother Oliver have carved out their own path. Led by brothers Andrew and Stephen Oliver, the self-labelled “psychedelic folk-rock” band is a living testament to the creativity that can come out of a restrictive circumstance. An anomaly in our media-drenched world, the brothers grew up isolated from the currents of pop culture to now rigorously touring and channeling the raw expanse of the indie rock sound with a DIY edge.
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The Reverend of the Road: To Hell and Back
An unmarked white van pulls into the parking lot of an old warehouse building in New Orleans’ lower ninth ward. Out steps a tattooed, six-foot-something bearded man who would look at home brawling in any biker’s bar. Except this man isn’t here to raise hell. He’s here to tell the story of how he left it behind.
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The Wanting: Not Your Grandpa's Country
In Southeast Louisiana, an unassuming new trio is quickly redefining ‘Southern’. New Orleans-based The Wanting recently released their haunting debut album, Dark Road at the city’s Tigermen Den. Decked out in candles and skull totems, pairing leopard suits with cowboy hats, they ain’t your grandpa’s country.
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Our Journey: From Shambles to Sound Room
Here is a visual diary of our journey - transforming a nearly condemned space into a beautiful, fully functioning recording studio.
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New Orleans Recording Studio Opens Its Doors
We’re beyond excited to announce that Third Coast Studios has officially opened its doors! Here’s a recap of the Grand Opening Party that took place on November 16, 2018.
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Airports Are Where I Feel Most at Home
We’re beyond stoked to announce the release of Third Coast Studios’ first official music video project, a collaboration with rap and spoken word artist, Jonathan Brown.
Jonathan presents, “Be Careful,” a song from his recently released LP, “Aggressively Vulnerable.”
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